This pink stripe is likely early Edwardian. The pink is characteristic of that early part of the 20th century. What I like about this ribbon is that is shows a ribbing running the length of the ribbon rather than across like most gros grains. The raised sections on this ribbon are created with a thicker warp thread. The best I can tell from the frayed edge is that there are three different thicknesses to the warp in this ribbon, the pink being the thinnest.
This is one of my favorite ribbons.
This embroidered ribbon is 4 7/8 inches wide. The ground is ground is black with blue vertical and horizontal striped and embroidered wreathes in yellow, reds, green and blues. The ribbon has a satin weave with short floats while the vertical blue stripe has longer floats. The horizontal stripe has a small check design. These wreaths are very fine and add little bulk to the ribbon. I currently think this is likely a post Civil War ribbon.
This is an interesting ribbon because, besides being a nice plaid, it gives us a chance to look at a few different things. The most obvious is the damage water staining can do to silk. There are several spots throughout this ribbon. Next is the plaid itself. Notice the plaid is on the grain. For bonnet ribbons, you do not want plaid cut on the bias. (The curtain/bavolet can be cut on the bias.) If you can look close at the ribbon (check in the lower right of you Explorer window for the zoom feature), take a look at the subtlties the change in weave can enhance the lines. Next look at the wider blue and wider brown areas. These have a varigated look created with gradiated tones of warp threads. In modern terms we call this ombre.
This is one of my mystery ribbons that I haven’t been able to track back yet. It is a brown jacquard weave. The ‘ground’ is striped. The blobs, for a lack of a better word, have a similarity to some fabrics. The combination makes a very interesting ribbon. The edge of the ribbon have the two browns from the ribbon plus a narrow red.